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Signs and Meaning in Eighteenth-Century Art: Epistemology, Rhetoric, Painting, Poesy, Music, Dramatic Performance, and G.F. Handel

H. James Jensen




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 | #5909190 in Books |  Peter Lang International Academic Publishers |  1997-12 | Original language:English |  9.50 x6.50 x1.25l,1.63 | File type: PDF | 410 pages

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||0 of 0 people found the following review helpful.| Fascinating and Original|By Frau Stechpalme|While this book takes a fair amount of concentration to read, it rewards the reader with valuable insights into the (Western) eighteenth century's perspective on art, psychology, the human condition and how all these things interrelated. Its scope is broad and ambitious, but while it sometimes becomes a little repetitive, it presents

Signs and Meaning explains historical assumptions about eighteenth-century art and performance, and the signs employed. It assumes that how artists thought they made art and how audiences thought they received it was how it was made, received, and understood. Eighteenth-century epistemological and rhetorical assumptions bring together meaning and practices of rhetoric, philosophy, literature, painting, dramatic performance, and music. Musical drama shows the wides...

You easily download any file type for your device.Signs and Meaning in Eighteenth-Century Art: Epistemology, Rhetoric, Painting, Poesy, Music, Dramatic Performance, and G.F. Handel   |  H. James Jensen. Just read it with an open mind because none of us really know.

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